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Posted @withregram • @obscura_magazine ⟨ MISC ⟩
Listen – the sound of clay👂🏻✨🤲🏻👂🏻✨🤲🏻
Ceramics by Karena Lam

「剛開始有很多挫敗,太執著想要成果漂亮,就投射了自己的想法,但發覺我根本沒去嘗試了解泥的特質。而且我好怕失敗,但造陶呢,就是一件常常讓我經歷失敗的事。」她迷上的,大概是那個不停歇的過程,想繼續下去的渴望,像是一步步前進,又不斷拉回最初,如水結成冰又融掉,變成零。但那是零嗎?

調不同的釉藥,揉不同的泥,拉出的形狀是自己的狀態,她好奇所有過程加起來得出的反應,包括燒製出窯一刻才了解原來破損裡包含了接納。「我實在有太多都是破掉的,但它讓我知道:是這樣就是這樣的了。譬如說,笑的時候的那道魚尾紋,或一道疤痕或皺紋還是裂紋也好,這些全都是美的一種特質,因為它來自你的接納。」

「我覺得泥土真的有讓我成為一個更好的聆聽者。」
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“My early days in pottery were marked by many failures. I was obsessed with the task to get it right. Often, I would project my own considerations rather than try to understand the materiality of the clay. I tend to avert failures; pottery draws me back to confront my fears – over and over again.”

Perhaps, what Karena has fallen in love with about pottery is the restlessness as such: the hunger to continue, to move forward, occasionally throwing the clay back to square one.

From mixing the glaze to moulding the clay and throwing, pottery is a highly personal, intimate process. Karena is fascinated by the outcome after the ceramics have gone through firing. From her, it demands acceptance: “So many of my final products have turned out broken in some way, but they’ve also made me realise: it is what it is. It’s the same with wrinkles when one smiles, or scars, or cellulite: they all came from a place of beauty – of acceptance.”

“I think pottery has really made me a better listener.”

Read more: bit.ly/obscura-ceramics-karena-lam
✍︎ @jasstsse ; product photography @kimio_ng

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